Yeah, and we started putting on our nights every Friday. It was called Ziggy’s at the time – terrible name, but we just didn’t think of a name, so we went with that. I met the guy, asked him for every Friday. From there, we found this little gay club in Streatham – didn’t even know it was there, lived there for a good seven years before I found this place – it’s underneath a pub, great little place, holds about 350, dark, really dingy, with a stage. One day we said, “Shall we do something?” We started doing some little bars and parties. No, but we used to go round his house and play records. That’s how it works, isn’t it? And I was telling Paul all of this– So, by booking them, they started to return the favor. He used to work for Greyhound distribution – he worked at a record shop in Croydon, and he now works in Japan playing techno. Also, some other guys who used to work with us on the gigs, a guy called Tony Thorpe. We used to hire it once a month on a Wednesday, and we used to book everyone: Hilly, Robbie Vincent, Jeff Young, Pete Tong. So, what we used to do was put on these gigs at Scamps in Croydon. I thought if I can’t beat them, join them. No, it was only at things that we started to do.Īnd you were doing them because of the limitations elsewhere? So, if you played at Flicks, what would you be playing? Would you playing newer things there? Same old music, you know, I could do those old things as well, but at the things we did, I’d always put forward new music. I couldn’t get in because of the usual suspects, Chris Hill. I was going to things like Caister, and I wanted to get on to things like these gigs, but there was no way. There was another way, but we’ll come on to that in a sec. I think what it was in those days, there was a core of people, and to get in there you had to break into that core. Was it obvious that some people were happy with the status quo and others weren’t? You know, we’d meet people all the time, I was always out there talking, networking. We had a really good crowd and, to tell you the truth, a lot of us are still together now, we’ve been through the whole club scene. Was it the same crowd that you’d see at all these places? “Quick, get out, don’t let anyone see us!” We used to make him, and in the worst car I’ve ever seen in my life. Oakenfold used to drive us to these places. I was going up to the Hill Top, going up to Dartford. I started getting involved in the soul boy thing. The more you came into London, the more it was mixed, and the more you went into the suburbs, the more white. Very white, very dressy, brilliant crowd. So, this was the proper soul scene? Was it predominantly white? I started getting some guest work up there with Colin Hudd, Jeff Young, Pete Tong, stuff like that. I started doing these spots at a place in Dartford. All I knew was that he was a chef and he used to come to all these gigs. I didn’t know he wanted to get into the business. “What’s this? Where do you get the records from? How’s this?” He didn’t know fuck all about the music, but he wanted to know.
![gay bar san antonio ibiza gay bar san antonio ibiza](https://www.gaytravel4u.com/wp-content/uploads/2020/06/bar-mona-lisa-ibiza.jpg)
He came up, quiet guy, started talking to him and it went from there. I was going to Slough on the coach and he sat next to us and started talking.
Gay bar san antonio ibiza windows#
We got on the coach, they smashed up the coach, put all the windows through…that’s how I met Paul Oakenfold. Don’t know what they were fighting about…It was like this Slough/South London thing. I’d been up there quite a few times… We’d go up there, like three coach loads from London, and then one day this massive fight broke out with people throwing bottles. It wasn’t a club – it was like a big hall. I’d met him and I started playing in Slough …I was like his warm-up disc jockey.ĭon’t know. Steve Walsh was doing his big Monday Soul Night Out with Tony Blackburn.